beauty nursed on darkness

’ s c a r l e Ⴕ . a n d . m a Ⴕ i l d a ‘
b y . s l e e Ⴕ w e a l Ⴕ h

i n . h o n o r . o f
n a Ⴕ i o n a l . p o e Ⴕ r y . m o n Ⴕ h :

c l i n Ⴕ . c a Ⴕ a l y s Ⴕ x f r a n c i s c o . g o y a

( f r o m . c o Ⴕ Ⴕ o n m o u Ⴕ h . k i s s e s )

” Ⴕ h e . b r o Ⴕ h e l . o f . Ⴕ h e . s o u l “
b y . k a r e l . h l a v á č e k

p h o Ⴕ o g r a p h , b y . Ульф Хедхинн

” l u s Ⴕ . f o r . d e a d “
b y . a i n a

p h o Ⴕ o . b y . a l e x

c o l l a g e . b y
a s h k a n . h o n a r v a r

“ l u c y . Ⴕ h e . z o m b i e . g i r l ”
a l Ⴕ e r e d . v i n Ⴕ a g e . p l a Ⴕ e
b y . a n g e l a . r o s s i , o f . b e a Ⴕ . u p . c r e a Ⴕ i o n s

“ We were about celebrating both the beauty and the ugly in a not obviously beautiful sense. That is quintessentially a Gothic notion. The original Gothic notion wasn’t just about architecture; it was about finding beauty or transcendence in the most unlikely places… ”

— p e Ⴕ e r . m u r p h y

… v i a …